DANCE FRIDAYS FUNDAMENTALS EXPLAINED

Dance Fridays Fundamentals Explained

Dance Fridays Fundamentals Explained

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I imagine this timing likely created throughout the Palladium age but I have not verified that. Eddie Torres began teaching and promoting this timing start in the 1980's, from what I recognize. He was mentored by the late June Laberta, a ballroom dance teacher, that assisted him create his technique and timing.


The story I'm constantly told below, that still needs further examination, is that as salsa began getting to brand-new audiences outside of the Caribbean and New York, it was easier and a lot more intuitive to show cultural outsiders to dance On1 instead of On2. This story doesn't account for the truth that I have actually listened to Rueda de Casino was initially danced a tiempo On3 in Cuba.


Dance Fridays Fundamentals Explained


Salsa On1 is just one of various salsa timings you can dance to and it is the most typical timing you'll locate worldwide today. Salsa On1 timing meaning: "On1" implies you begin dancing on the first beat of bench of music the 1. Your break actions (direction changes) are on beats 1 and 5.


The exemptions I have actually discovered so much, where On2 is most usual, would be around New York and in South Korea (Bachata Dance San Francisco). I'm certain there are other areas that dance mostly On2 but I have not danced in every country! If you're not sure what timing is most common where you live, ask your local dance studio


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When someone claims "I dance salsa On1" they most likely mean "I dance direct design salsa On1" (although you can dance any design of salsa On1, people generally imply straight style). Do not stress if you've claimed these things in the past, it's all good most of us have! The essential point is to bear in mind there's a distinction in between style and timing and grow your understanding so you can be more exact when discussing salsa with your buddies.


It attaches perfectly with the phrasing in the music, particularly the piano, and various other percussion tools like the cow bell and giro. Timing and design are two different points, so separate the ideas when you speak regarding salsa with your close friends. Regardless of what timing is most common in your region of the globe, remember you can technically dance any style of salsa to any type of timing check out and appreciate!


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There is an initial mambo dance that came from Cuba and then spread to Mexico and New York in the 40s and 50s, these days when someone states "I dance mambo" they imply salsa On2, which is different than the initial mambo dancing. The erratic free-from steps of the initial mambo were danced solo.




As the dance began to spread out, On1 timing began to come to be popular. Salsa On2 interpretation: "On2" implies you start dancing on the very first beat of the bar of music the 2.


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Historically those are the tools that a son cubano dancer attached with and that was passed on to mambo and salsa. A great deal of professional dancers appreciate dancing On2 for the varied ways you can connect to the music. This is the original son cubano and mambo timing. Son cubano is the music and dance that preceded mambo and salsa.


It connects well to the clave, bass and conga - Bachata Dance San Francisco. Cha-cha is simply like dance On2 contratiempo yet you include the three-way action on 4 and 8. Danced to the very same beats as On1, your break actions are currently on 2 and 6, which alters the feel of the dance.


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It attaches well with the conga and cowbell. https://moz.com/community/q/user/dancefrisfca. This timing is virtually the same to contratiempo On2 yet the actions that are generally on 4 and 8 get on 4. 5 and 8. 5 instead half a beat later, which lines up with the syncopated tone of the conga. It's almost like a timing in between a tiempo and contratiempo.


5 rather than 5) you're dancing this syncopated timing. If you're dancing contratiempo and you tip half a beat late in the home placement (on 4. 5 as opposed to 4) you're dancing syncopated timing. In truth it seems it's typically danced as kind of a "mistake" for anyone dancing the previous 2 timings.


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No matter, people chat concerning it from this source so right here it is (https://www.merchantcircle.com/blogs/dance-fridays5-san-francisco-ca/2024/1/-Your-Ultimate-Dance-Destination-with-Dance-Fridays/2631017). As mentioned previously, this was the very first analysis of dance on clave (child clave), where the Puerto Ricans would certainly align their front brake with the 2-side of the clave rhythm while dancing On2 contratiempo. They described it as "dance on clave" as it was before individuals referred to it as "dance On2." The idea is to line up as many actions of your fundamental as feasible with the strikes of the boy clave.


The thing concerning music and dancing is that there is no right or wrong. There is simply interpretation. You can dance on any type of timing you like! Normally, people have actually found a means to dance on practically every timing feasible to child and salsa songs. People dance On3 for the same factor you dance On1 since it emphasizes the solid beats of 1-3-5-7.


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Allow's take a look at the beats you dance On1 to: -2-, -6- (strong beats remain in vibrant) Let's look at the beats you dance On3 to: -4-, -8- (strong beats are in strong) Notification just how the solid beats are spaced exactly the same for On1 and On3? All you do is beginning stepping On3 rather than On1.


That's why dancing On3 is so common in Latin America. People either Try to dance On1 but start stepping On3 by mishap and it exercises simply penalty, or They do not recognize much concerning timing and are simply interpreting what they hear in the music, based on their experience growing up in a culture with salsa.

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